The Godfather Part 2 is the finest sequel ever made and is arguably a finer film than the original Godfather. The film is divided into two main parts - the story of a young Vito Corleone (flawlessly acted by Robert De Niro and a worthy Oscar winner) and the rise to power of Michael as the head of the family. Francis Coppola recollaborated with many of the crew members of the first film and again achieves a quite superb period piece thanks to the cinematography of Gordon Willis and set design of Dean Tavoularis. The acting performances are outstanding, hence three supporting oscar nominations for acting guru Lee Strasberg (Hyman Roth), Michael Gazzo (Frank Pentangeli) and Robert De Niro (young Vito Corleone). Duvall, Keaton, Cazale and Shire all provided first rate performances but it is the performance of Al Pacino which steals the show, expertly portraying Michael as a cool, calculating, suspicious Don Corleone. The film expands upon the original movie and brings us into the family's activities in Nevada, Florida and Havana. Arguably the finest movie of the 70s, a cinematic masterpiece with the greatest ensemble acting you will probably see.
The Godfather Part II (1974) 720p YIFY Movie
The Godfather Part II (1974)
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
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The Synopsis for The Godfather Part II (1974) 720p
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
The Director and Players for The Godfather Part II (1974) 720p
The Reviews for The Godfather Part II (1974) 720p
Great ensemble acting, great story, greatest sequel ever made.Reviewed by ([email protected])Vote: 10/10
The original Godfather is a brilliant work. It is in a sense a voyeuristic delight, allowing us to see the mafia from the inside - we become part of the family. It single-handedly change the world's view of organized crime, and created a cast of sympathetic characters, none of whom have a shred of common morality. It was the highest grossing movie of its time and Brando created a cultural icon whose influence resonates as strong today as it did in 1972. As extraordinary an achievement as this is, Part II is even better. It easily receives my nod as the best picture ever made. I have seen it at least 20 times, and each time its 200 minutes fly by. The movie uses flashbacks to brilliantly weave two tales. The main story is the reign of Michael Corleone as the world's most powerful criminal. Now reaping the benefits of legalized gambling in Las Vegas, Michael is an evident billionaire with an iron fist on a world of treachery. Behind this, Director Francis Ford Coppola spins the tale of the rise of Michael's father, Vito, to the center of the New York mafia. It is these scenes that make the film a work of art. Without spoiling, I will simply say the Robert DeNiro as the young Vito is the best acting performance of all time, a role for which he won a richly deserved Oscar. The screenplay is full of delicious little underworld nuggets ("Keep your friends close .....", "I don't want to kill everyone, just my enemies"), while it blows a dense, twisted plot past you at a dizzying and merciless pace. The cinematography is depressing and atmospheric. The score continues in the eerie role of its predecessor, foretelling death and evil. All of this makes the movie great and infinitely watchable. But it's what's deeper inside this film ... what it is really about ... that is its true genius. The Godfather Part II is not really a movie about the mafia, it is a movie about a man's life long struggle. Michael controls a vast empire that is constantly slipping out of his hands. He grows increasingly distrustful and paranoid, and even shows signs that he hates his own life. Michael almost seems to resent the fact that he is a natural born crime lord, a man who puts the family business ahead of everything. The great Don Michael Corleone can never come to terms with one simple fact.... his father's empire was built on love and respect, Michael's empire is built on fear and violent treachery. See this movie. It's three-and-a-half hours very well spent.
You can count on one hand the movie sequels that measure up to the original; GODFATHER II makes the cut. This movie is just as fine as GODFATHER I. Here the director goes back and forth between the early days of the young Vito Corleone, played by Robert De Niro, and the family after the action in GODFATHER I in the 1950's just before Castro came to power. Michael Corleone (Al Pacino) has moved the family and most of his business to Nevada. Once again the acting is flawless. Diane Keaton as Michael's wife who quickly becomes disillusioned with her life with him and the lies he continues to tell her, assuring her that he is going legitimate soon; Robert Duvall as Michael's adopted brother and adviser; and Lee Strasberg as Hyman Roth all give outstanding performances; but the film really is Al Pacino's. We see him become a ruthless, cold-blooded killer who alienates himself from his family in ways his father would never have done. He has come so far from the idealistic young man in "GODFATHER I, who joined the Marines in World War I to serve his country and die for it if necessary, to a lonely, paranoid tragic man. There are many poignant scenes concerning his wife and children-- the drawing his son leaves for him in his bedroom, the gift that Tom buys the child because Michael is too busy, his wife Kay's being kept a virtual prisoner at his orders in the family compound, etc. Once again many acts of violence are interwoven with religion: Michael's son's first communion, the religious parade in New York, Fredo's repeating the Rosary in order to catch a fish, for example. The cinematography is stunning; the footage from Sicily and New York around the turn of the century and the snow scenes from the American West are beautiful and rich in detail. Mr. Coppola has directed yet another masterpiece.